Salt Salt

I still remember the first time I played a game that felt less like a game and more like a waking nightmare. The sound design was so precise I could hear the floorboards creak under my own breath, and every shadow seemed to breathe. That was my first taste of what we now call cinematic horror gameplay, and it changed how I think about fear in interactive media. Over the last decade, this approach has moved from a niche experiment to a dominant force in horror gaming, and the